Adobe® Premiere® Pro CS6 software combines incredible performance with a sleek, revamped user interface and a host of fantastic new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more. Ready to switch to the ultimate toolset for video pros?
Free to Try
Windows
1.4 GB
66,958
Work natively with the latest mobile, DSLR, HD, and RAW formats; edit, trim, and adjust effects in real time; stabilize shaky footage; and enjoy a sleek, revamped user interface and expanded multicam support. Over 50 enhancements make switching to Adobe® Premiere® Pro CS6 software easy.
Streamlined, highly intuitive user interface
See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.
Enhanced Mercury Playback Engine
Work dramatically faster thanks to sweeping performance, stability enhancements, and support for NVIDIA Maximus dual-GPU configurations and certain MacBook Pro OpenCL-based AMD GPUs.† Adobe Mercury Transmit enhances integration with third-party I/O devices.
Fluid, high-performance editing workflow
Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.
Dynamic timeline trimming
Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.
Warp Stabilizer effect
Easily stabilize a bumpy camera move or lock a shot automatically with the same powerful technology as in Adobe After Effects® software. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities.
Expanded multicam editing
Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.
More intuitive Three-Way Color Corrector
Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction. Instantly improve video image quality with Adobe Photoshop® style auto-correct functions.
New adjustment layers
Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot.
Improved, customizable monitor panels
Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels.
Even faster Project panel workflows
View, sort, and arrange media easier than ever with the redesigned Project panel. Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails.
Native DSLR camera support
Work natively with the footage shot with the latest video cameras, including ARRI Alexa, Canon Cinema EOS C300, RED EPIC®, and RED Scarlet-X cameras. Native support lets you start editing immediately, without transcoding or rewrapping the footage.
Enhanced, flexible audio tracks
Freely combine and pan mono and stereo clips. For more advanced audio workflows, new Multichannel master and Adaptive track types enable total audio routing flexibility and easy export to multichannel file types.
Adobe Prelude CS6 integration
Use Adobe Prelude to efficiently log footage, add comments and markers, and create rough cuts that can be brought into Adobe Premiere Pro. Comments and markers are associated with the media, making it easy to organize.
Adobe SpeedGrade CS6 integration
Easily export your Adobe Premiere Pro sequences into SpeedGrade CS6 for a complete finishing solution. Easily handle grading tasks like matching shots and creating consistent nuanced color to visually enhance your projects.
Uninterrupted playback
Edit, apply filters, and adjust their parameters, all during playback. Dynamically preview video by looping playback and adjusting parameters on the fly, thanks to the Mercury Playback Engine. (May require a supported GPU.)
Rolling Shutter Repair effect
Easily repair media with rolling shutter artifacts such as wobble and skew. Based on technology in the Warp Stabilizer, this powerful effect can be applied without stabilization and offers enhanced controls.
New Preset Browser
Access commonly used settings immediately using the new Preset Browser in Adobe Media Encoder CS6. Organize presets by category, set favorites, and customize your most frequently used encoding presets.
Performance and stability improvements
Encode video faster when outputting a single source to multiple outputs with Adobe Media Encoder CS6. Get a significant performance boost when using watch folders on a network.
New RED EPIC and RED Scarlet-X support
Take advantage of new support for RED EPIC 5K and RED Scarlet-X footage that lets you import it directly into Adobe Media Encoder CS6 for transcoding to HD and SD formats.
More popular device and format presets
Save time and encode content more easily by using Adobe Media Encoder presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
New 64-bit Adobe Encore CS6
Speed up your authoring workflow and get rock-solid performance and stability with Adobe Encore® CS6, now natively 64 bit. Open and save projects faster, and get dramatic performance working on demanding projects.
Faster MPEG import
Bring MPEG assets into Encore CS6 even faster as multiple import processes happen simultaneously in the background.
Operating system requirement:
Adobe Premiere Pro CS6 requires a 64-bit operating system.
Trial limitations:
Adobe Encore® CS6 is not available as a trial. Encore CS6 will be installed as part of the trial for Adobe Premiere Pro CS6, Creative Suite® 6 Production Premium, and Creative Suite 6 Master Collection but will not be available for use until you purchase.
Popular apps in Editing
Commercial
Windows
1.0 GB
244,479
Windows Serial number: 1132-1280-4900-7476-5108-8019
Expanded native format support now covers SD, HDV, and HD, including native HD-SDI support for the AJA Xena HS card. A rich set of advanced editing and effects tools ensures that you can produce whatever you imagine, while new time- and space-saving features make your work more efficient and allow effortless integration into high-end effects and editing workflows. Innovative new tools such as Adobe Clip Notes streamline the client review and approval process, and DVD authoring from the Timeline expedites the creation of DVDs with or without menus.
Whether you work in post services, in-house post production, videography, or multimedia services, Adobe Premiere Pro 2.0 delivers a rich feature set that enables you to tell your stories with the highest possible production values.
New Interface and Workspaces Judul skripsi qualitative pendidikan bahasa inggris.
Adobe Premiere Pro 2.0 debuts a new user interface that will allow you to spend less time adjusting your desktop layout and more time actually producing video. Instead of a main window plus a series of separately floating palettes, the entire workspace is now contained within the application window itself, organized into docked groups of stacked, tabbed panels that automatically resize to maintain full utilization of available space.
This new environment is more efficient and less cluttered, eliminating the headache of overlapping or hidden windows and palettes. In most situations, you’ll now find it much easier to rearrange your workspace and quickly access the controls you need. But you can still easily create floating windows for panels or sets of panels, which can be especially useful for taking full advantage of two monitors.
Adobe Bridge
Adobe Bridge is a centralized file-management solution that makes it easy and efficient to browse, organize, and select content for your Adobe Premiere Pro 2.0 projects. A time-saving workflow enhancement, Adobe Bridge offers multiple ways of viewing your assets, as well as extensive, customizable XMP metadata support that puts you in full control of how to organize and search your files.
Proxy Editing
The introduction of Proxy editing in Adobe Premiere Pro 2.0 not only means that you can edit faster—particularly for HD projects—but also that you can make progress on your high-resolution projects even when you are working away from high-end, video-optimized machines.
Proxy editing is similar to offline editing in that lower-resolution clips stand in for the full-resolution files that will be used to finish the final output. Proxies may be created from video or audio/video master clips, subclips, or track items after a project’s master clips are captured at full-resolution. Depending on codec settings, proxies can help speed up your editing because they render faster and they require less computing power and storage space than the master files from which they are derived.
Unlike regular offline editing, Adobe Premiere Pro’s proxy editing allows a high-resolution master clip to be instantly swapped in and out of the project at any point in the workflow by simply changing its proxy enable/ disable setting. If you don’t have the disc space to keep all the master clips online, however, you can delete them from your disk and use proxies instead. You can also retain the master clips on one workstation while transferring proxies to another. When you’re done editing with a proxy, either recapture the master clip at full-resolution, or re-link the proxy back to its original master clip.
Apps similar to Adobe Premiere Pro 2 6
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In the past, sharing media assets among post-production applications required you to render and export your work from one application before importing it into another. This workflow was inefficient and time-consuming. If you wanted to change the original asset, you rendered and exported the asset again. Multiple rendered and exported versions of an asset consume disk space, and they can lead to file-management challenges.
Dynamic Link offers an alternative to this workflow. You can create dynamic links between After Effects and Premiere Pro. Creating a dynamic link is as simple as importing any other type of asset. Dynamically linked assets appear with unique icons and label colors to help you identify them. Dynamic links are saved in projects generated by these applications.
A linked clip can refer to a complex source composition. Actions you perform on the complex source composition require additional processing time. After Effects takes time to apply the actions and make the final data available to Adobe Premiere Pro. In some cases, the additional processing time delays preview or playback.
To reduce playback delays, do one of the following:
If you commonly work with complex source compositions, try addingRAM or a faster processor.
Note:
A linked After Effects composition will not support Render Multiple Frames Simultaneously multiprocessing. See Improve performance by optimizing memory, cache, and multiprocessing settings.
Create and link to After Effectscompositions with Dynamic Link
You can create After Effects compositions, and dynamically link to them, from Adobe Premiere Pro. You can also dynamically link to existing After Effects compositions from Adobe Premiere Pro.
Create a composition from clipsin Adobe Premiere Pro
You can replace selected clips in Adobe PremierePro with a dynamically linked After Effects compositionbased on those clips. The new composition inherits the sequencesettings from Adobe Premiere Pro.
Create a dynamically linked composition from Adobe Premiere Pro
Creating a new dynamically linked composition from Adobe Premiere Pro launches After Effects. After Effects then creates a project and composition with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. (If After Effects is already running, it creates a composition in the current project.) The new composition name is based on theAdobe Premiere Pro or Encore project name, followed by Linked Comp [x].
Download Adobe Premiere Pro Cc
For best results, match composition settings (such as dimensions, pixel aspect ratio, and frame rate) to the settings in the Adobe Premiere Pro project.
Note:
You can link to a single After Effects composition multiple times in a single Adobe Premiere Pro project.
You can delete a linked composition from an Adobe Premiere Pro project at any time, even if the composition is used in a project. You can also delete linked clips from the timeline of an Adobe Premiere Pro sequence at any time.
Modify a dynamically linked compositionin After Effects
Use the Edit Original command in Adobe Premiere Pro to modify a linked After Effects composition. Once the composition is open in After Effects, you can change the composition without having to use the Edit Original command again.
The changes made in After Effects appearin Adobe Premiere Pro. Adobe Premiere Pro stopsusing any preview files rendered for the clip before the changes.
Note:
Youcan change the name of the composition in After Effects aftercreating a dynamic link to it from Adobe Premiere Pro.Adobe Premiere Pro does not update the linkedcomposition name in the Project panel. Adobe Premiere Prodoes retain the dynamic link, however.
Create an After Effects compositionfrom clips in Premiere Pro
Youcan replace a selection of clips in a sequence in Premiere Pro withan After Effects composition based on those clips. The compositioninherits the sequence settings from Premiere Pro and maintains adynamic link to After Effects. You can edit the composition in PremierePro or in After Effects.
Adobe Premiere Pro display dynamically linked compositions as offline in any of the following circumstances:
Offline compositions appear with an Offline icon in the Adobe Premiere Pro Project panel. If you’re working with an offline composition, you can relink it to the original After Effects composition. You can also choose to relink a linked composition to a different source composition.
If you are experiencing jerky playback, you can take a dynamically linked composition offline. When you take a composition offline, you sever the dynamic link with After Effects. The linked composition is replaced in the Project panel with an offline composition.
Note:
Youcan temporarily suppress a linked clip in Adobe PremierePro by selecting the clip and choosing Clip >Enable. To relink the clip, choose Clip > Enable again(a check mark next to the command indicates that the clip is enabled).
In Adobe Premiere Pro, right-click the composition and choose Link Media. In the displayed dialog box, select an After Effects project. Adobe Premiere Pro automatically relinks the composition.
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